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Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 
Ajanta Caves
Ajanta Caves
 

Ajanta Caves

INDIA, Maharashtra, Aurangabad
windows above the entrance. Cave 9 has a rectangular layout, while Cave 10 is apsidal. Their barrel-vaulted ceilings are supported by colonnades that line the caves. The stupas, situated at the back, are rather simple in form. The cave murals are some of the earliest surviving in India. The mural in Cave 10 illustrates various scenes, including the Saddanta Jataka. Cave 8, 12, 13, and 15A are vihara caves. They are square in shape, lack pillars, and contain small residence cells on three sides.
  The later caves were constructed during the 5th century under the rule of the Vakataka dynasty (circa 250–550) and show evidence of Mahayana Buddhism. Though the area was not under the direct rule of the Gupta regime, the Vakataka dynasty was heavily influenced by the art and culture of their northern neighbors. The caves built during this period are complex and lavishly decorated. Caves 19, 26, and 29 are caitya halls and display Buddha images and decorative reliefs on the facades, columns, and beams. The front of each stupa also exhibits niches with large Buddha images. The right wall of Cave 26 has numerous Buddha niches, while the left wall has large narrative reliefs from the Life of the Buddha, including the Defeat of Mara, as well as the Buddha’s Parinirvana. A niche constructed at the front of the stupa is enshrined with a 3 m high Buddha image, seated with legs pendent.
  Caves 1, 2, 16, and 17 are known for their richly illustrated murals depicting the Jatakas and stories from the Life of the Buddha, as well as other images of Buddhas and Bodhisattvas. In addition to their Buddhological meaning, these murals create a colorful space when combined with the decorative patterns and images on the ceilings, colonnades, and cave entrances.
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